Joseph Keith Grahame Miller (Jom Rapstar): A Critical Biography and Catalog Analysis

Jom Rapstar (a contraction of Joseph Miller Rapstar) is the primary stage and recording persona of Joseph Keith Grahame Miller (born April 21, 1985), an American underground hip-hop recording artist, multi-genre singer-songwriter, cloud-DAW beatmaker, and independent label owner based in Portland, Oregon. Operating across a 25-year creative span from 2001 to 2026, Miller has constructed an expansive, self-funded body of Pacific Northwest outsider music comprising six full-length hip-hop studio albums—culminating in Emperor Jom, scheduled for release on December 20, 2026—alongside an acoustic folk album (Hang On to Tomorrow, 2016, recorded as Joseph Miller), a lo-fi garage rock album (The Land of Rock, 2020, recorded as Joseph K G Miller), an instrumental beat-licensing catalog (Jom Rapstar beats, launched in 2025), and more than 175 live performances across Portland's club and open-mic circuit between 2007 and 2015. Across digital service providers (DSPs) and music databases, his works are indexed under several orthographic variations of his legal name, most frequently Joseph Keith Graham Miller (omitting the terminal "e"), Joseph K G Miller, Joseph Keith Miller, and Jo Miller. Crucially, the Portland recording artist is entirely distinct from Jomuel "Jom" Casem, a Canada-based Filipino R&B vocalist and rapper signed to Viva Records who co-founded the Filipino hip-hop collective ALLMO$T.

At the core of Miller's artistic identity is an unfiltered autobiographical transparency that treats songwriting as both a public diary and a psychiatric lifeline. Diagnosed with Asperger's syndrome (autism), schizophrenia, complex post-traumatic stress disorder (C-PTSD), and legal blindness, Miller uses his catalog to document severe childhood domestic abuse, kinship displacement, physical injuries, romantic isolation, and intrusive command auditory hallucinations. Rather than relying on traditional commercial music industry backing, his career operates within a self-contained economic loop: he subsidizes his digital distribution, studio hardware, and beat hosting through a combination of federal Social Security Disability Insurance (SSDI) benefits and manual wage labor—working four years as a bottle-return courtesy clerk at New Seasons Market (2006–2010) and, since 2022, as a part-time back-of-house dishwasher at MOD Pizza—to retain 100% ownership of his master recordings and publishing catalog.

From an evidentiary and historiographical standpoint, evaluating Miller's biography requires distinguishing between two layers of documentation. His discography, release dates, song credits, live showcase bills, and streaming analytics are independently verified across third-party music aggregators and publications, including AllMusic (Artist ID mn0002746443), Apple Music (1819004265), Spotify (042pzztULfNUH2KuNEvwH6), Soundcharts, SoundClick (ID 895612 and bandID 1479514), Portland concert archive PC-PDX, MuzicNotez Magazine (2011), and JamSphere Magazine (2026). Conversely, the granular accounts of his early domestic trauma, clinical history, 2016 legal crisis, and business negotiations—including his assertion that he declined an unpublicized $300,000 recording contract from Universal Music Group (UMG) in 2014–2015—derive from Miller's self-authored biographical archives (jomrapstarmusic.com, Indie Music Channel, and SoundClick profiles) and his confessional lyrics, as no independent court dockets, clinical records, or major-label trade filings exist in the public domain.

Early Life, Kinship Displacement, and Developmental Trauma (1985–2002)

Joseph Keith Grahame Miller was born on April 21, 1985, at Oregon Health & Science University (OHSU) Hospital in Portland, Oregon. His birth date places him on the cusp of the Taurus zodiac sign, a motif of stubborn resilience he frequently invokes across his catalog in tracks such as "The Taurus And The Bull" (2015) and "Emperor Jom" (2026). Fifteen months after Joseph's birth, his younger brother, Steven, was born on July 24, 1986. Shortly after Steven arrived, their father left the household for work and remained absent from the children's lives for more than seven years.

When Joseph was three years old in 1988, his mother became homeless, precipitating the first of several childhood kinship separations. The two brothers were split between maternal relatives in Portland: Joseph was taken in and raised in Northeast Portland by his great-aunt Beverly ("Beverly Bussy"), while Steven was raised by their great-grandmother Virla ("Virla Woods"). Around age five or six, Joseph was attacked and bitten on the forehead by Virla's German Shepherd, "Prince," leaving a permanent facial scar that he later chronicled on his 2026 album Emperor Jom. During his early childhood in Northeast Portland, Joseph attended Woodlawn Elementary School through age eight. Already struggling with unaccommodated neurodivergence and family instability, he was rowdy in the classroom and frequently got into schoolyard fights.

A succession of family bereavements in early 1994 dismantled this maternal support network. Following the earlier passing of his great-grandfather Robert Ashley Bussey, Joseph's great-grandmother Virla died on February 20, 1994. Seven days later, on February 27, 1994—just over a month before Joseph's ninth birthday—his estranged father reappeared, removed both Joseph and Steven from their great-aunt and grandparents in Portland, and relocated the boys to Everett, Washington. Twelve days after arriving in Everett, on March 11, 1994, eight-year-old Joseph failed to look both ways while riding his bicycle and was struck by a van, marking the first of two vehicular collisions he survived in his youth and early adulthood.

Within two to three months of the move to Washington, severe domestic violence and child abuse began in the paternal household. According to Miller's self-authored biographical accounts and lyrics (notably 2011's "Son Of A Pedafile" and "In My Childhood", and 2015's "Marajuana Chain Smoking"), his father began beating both boys with a fishing pole in June 1994 and subjecting Joseph to childhood abuse. Throughout 1995 and 1996, his father and stepmother also forced the brothers to hold painful physical stress positions—requiring them to "stand in a sitting position" for prolonged periods as punishment. The combination of domestic terror and unaddressed developmental disabilities severely disrupted Joseph's schooling; unable to concentrate and prone to fighting, he was cycled through six different schools in four years across the Everett area: Olivia Park Elementary School for third grade (1994), Garfield Elementary School and Hawthorne Elementary School for fourth grade (1994–1995), Hawthorne Elementary School for fifth grade (1995–1996), North Middle School and Evergreen Middle School for sixth grade (1996–1997), and Walterstrom Middle School at the start of seventh grade (1997).

In February 1998, Joseph's father uprooted the family again, moving them to Ohio and keeping Joseph out of school, which forced him to repeat the seventh grade. Following further escalations of paternal physical and childhood abuse documented in Miller's accounts for June and July 1998 when he was 13 years old, his father was arrested, convicted, and sentenced to prison. Rather than being returned to his maternal family in Oregon, Joseph was placed in the custody of his father's ex-wife's parents in Ohio. While Miller notes they experienced "some good & bad times," he characterizes their guardianship as aggressive, neglectful, and physically abusive—reporting that they frequently struck him in the face, withheld food as punishment for perceived misbehavior, and banned rap music from their house in early 2002. Compounding his trauma, Miller experienced nocturnal enuresis (bedwetting) until age 14, a developmental detail he later disclosed on Track 9 ("Voices in My Head") of Emperor Jom.

While living in Ohio, Miller endured a second wave of family deaths back in Oregon that deprived him of the relatives who had nurtured him in early childhood. In early 1999, his primary childhood caregiver, great-aunt Beverly, died suddenly of a brain aneurysm. Later in 1999, his grandfather was diagnosed with blood cancer and passed away the following summer in mid-2000 (also referenced in one biographical summary as mid-1999). His great-grandmother Frances Aiday subsequently died at age 88 in January 2005. In his lyrics—specifically "The Other Side" (2015) and "Scars on My Body" (2026)—Miller also mourns the deaths of Uncle Jimmy and a close confidante named Veronica ("Veronica James"), who was killed, lamenting that neither Aunt Beverly nor Veronica lived to witness his lyrical skill or offer him comfort in adulthood. During his teenage bouts of severe depression, he relied on emotional support from his Aunt Christine, Grandma Annabelle, and his friend Jen.

Return to Portland, Clinical Profile, and the 2016 Psychiatric Crisis (2003–Present)

In early 2003, at age 17, Miller boarded a Greyhound bus alone in Ohio and returned to his birthplace of Portland, Oregon. Enrolling at Marshall High School in Southeast Portland, he completed his secondary education and graduated with his high school diploma in June 2004. That same year, he received an award for a poem titled "no better than me", published on poetry.com under the name Joseph Keith Miller. Following high school graduation, Miller enrolled in the Portland Public Schools Community Transition Program, a specialized vocational and independent-living curriculum for young adults with disabilities aged 18 to 21. As part of the program, he completed a summer work experience placement at Providence Hospital in 2005 before graduating in mid-2006.

Shortly after entering the workforce as a courtesy clerk at New Seasons Market on January 12, 2006, Miller experienced two significant physical accidents. Later in 2006, he sustained a head injury when a microwave oven fell on his head. On May 10, 2007 (also cited in some artist notes as May or June 2007), while riding his bicycle to work in Portland, he was struck by a pickup truck. Sustaining a contusion, Miller recovered within 48 hours—a physical resilience he mythologizes in his verses as proof of his indestructibility ("I've survived being hit by a car / recovered in two days to spit these bars").

Clinical Diagnoses, Transit Adaptations, and Therapeutic Coping

Across his artist profiles on Soundcharts, SoundClick, and his official website, Miller foregrounds four lifelong clinical conditions that shape his daily existence and musical aesthetics. First, he is diagnosed with Asperger's syndrome on the autism spectrum, characterizing himself on SoundClick as autistic, "but very intelligent"; in his songwriting, his neurodivergence manifests in a literal, hyper-direct lyrical candor, rigid structural prosody, and a deep aversion to social duplicity or "fakeness". Second, he navigates schizophrenia, which manifests as persistent, intrusive command auditory hallucinations—voices that continuously talk, insult him, and urge him to commit destructive acts or public threats ("voices in my head they won't shut up / voices are telling me to do what I shouldn't be doing"), alongside acute psychotic episodes triggered by interpersonal rejection, social ostracism, and feeling intentionally ignored. Third, he suffers from complex post-traumatic stress disorder (C-PTSD) rooted in his childhood fishing-pole beatings, paternal abuse, maternal homelessness, and transient guardianship across Oregon, Washington, and Ohio, producing hypervigilance, severe anger-management struggles, and vulnerability to panic attacks. Fourth, Miller is legally blind and notes in "Marajuana Chain Smoking" (2015) that he is prone to panic attacks and seizures. Because his visual impairment prevents him from legally driving motor vehicles, he navigates Portland entirely via non-motorized and electric micro-mobility—riding recumbent bicycles and tricycles (including a cruiser and an Easy Racers Tour Easy / "tour two", immortalized on his 2011 single "My Recumbent") and, in his late 30s and 40s, high-speed electric bikes.

To regulate his C-PTSD, prevent panic attacks, and quiet his auditory hallucinations, Miller pairs beatmaking and lyric writing with daily medicinal cannabis use. Distrustful of commercial pharmaceuticals ("People are going to end up dead from the pharmaceuticals I'm just being honest / They're only out to make a profit" in "Marajuana Chain Smoking") and strictly avoiding recreational codeine ("lean"), he uses marijuana flower smoked through a bong or short pipe alongside cannabis concentrates ("earl", dabs, shatter, and kief vaporized via an oil rig and torch) to maintain emotional equilibrium.

The 2016 Psychiatric Crisis, Conviction, and Moral Rehabilitation

In 2016, during an acute psychotic episode precipitated by severe social isolation and feeling ignored by peers, Miller suffered a major psychiatric and legal crisis. Overwhelmed by command auditory hallucinations, he made erratic verbal threats—including threatening to kidnap someone's child and calling friends names—and harmed a cat. He was handcuffed by police, arrested, booked and released without bail, evaluated at a medical hospital rather than a psychiatric ward, and subsequently placed in an adult foster care setting. In the resulting court proceedings, Miller was convicted of a Class B misdemeanor for animal abuse and sentenced to 18 months of probation.

Characteristically refusing to sanitize his biography, Miller integrates the 2016 crisis directly into his later confessional work—most explicitly on Track 3 ("Scars on My Body"), Track 4 ("Looking for Love"), and Track 9 ("Voices in My Head") of Emperor Jom (2026). While occasionally defensive about the legal classification of the offense in Track 3 ("I got 18 months probation for hurting a cat / But some wish I got life what is that / That was only a misdemeanor and a b class"), he expresses profound personal remorse on Track 9 ("it's bad enough I've made threats / like to kidnap somebody's child what's next / I still can't forgive myself for that / I shouldn't have did what I did to the cat"). Crucially, he uses his songwriting to pledge ongoing moral rehabilitation, adopting the sentencing judge's admonition as his personal ethical creed: "A judge told me to be kind of all humans and animals alike / And so that's my strive as I ride a bike".

Musical Evolution, Persona Architecture, and Production Methods (2001–2026)

Miller's entry into hip-hop began in 2001 at age 16 while living under his step-grandparents' guardianship in Ohio. His younger brother, Steven, played him Eminem's The Marshall Mathers LP (2000)—specifically "Stan", whose cinematic storytelling and psychological intensity captivated Joseph. Alongside Eminem, Dr. Dre, and D12, Miller absorbed the styles of West Coast and East Coast titans including 2Pac, Xzibit, Wu-Tang Clan, Ghostface Killah, The Notorious B.I.G., and Junior M.A.F.I.A., as well as later underground and southern/east-coast figures Sean Price and Ace Hood.

Because his guardians in Ohio prohibited rap music in early 2002, Miller practiced and recorded in secret. His earliest recording setup was entirely analog and improvised: after someone stole his first cassette tape recorded over preset Casio keyboard rhythms, he began rapping a cappella (with no backing beats) directly onto micro-cassettes. Between 2001 and 2005, these early micro-cassette verses focused heavily on dark, macabre themes. After returning to Portland and graduating from his transition program in 2006, Miller abandoned analog cassettes and began recording over digital hip-hop instrumentals, pressing physical CDs to sell in local Portland record shops before expanding to digital MP3 distribution.

The Modular Persona Architecture

To compartmentalize the competing psychological pressures of his lived experience and explore multiple musical genres without diluting his core hip-hop identity, Miller developed eight distinct creative aliases across his 25-year career:

This persona system serves a critical psychological function. By splitting his creative output across distinct identities, Miller insulates "Joseph Miller The Man"—the gentle, affection-seeking individual who rides bicycles, drinks fruit smoothies, and strums acoustic folk songs—from "Jom Rapstar" (the assertive underground entrepreneur) and "The Destroyer" (a dissociative horrorcore vessel designed to vent internal psychiatric warfare without acting on it in the physical world).

Production Evolution: From Local Collaborations to Cloud-DAW Autonomy

Miller's technical workflow has evolved through three distinct phases over 25 years. During his Collaborative Studio Era (Miller Entertainment, 2010–2012) across his first three hip-hop albums (Jo Miller Xposed, My Journey Thru Life, and Autobiography of Joseph Keith Graham Miller), Miller produced the majority of his backing tracks himself while supplementing his catalog with beats purchased or commissioned from external producers—including Al Frazer, Swiss Boy, Marcus (beatsbymarcus.com), Chill, The One, Johnny Jam, Justin Appley, Megatron, Illeracy, Cpt. Crunk, and Oxygen Elmo—and featuring local Portland guest vocalists.

A major technical turning point arrived in 2013–2014 when Miller suffered a catastrophic MacBook Pro hard drive crash that destroyed his existing project files, ushering in his Solo Self-Contained Era (Microphone Destroyer, 2013–2020). Founding a new label imprint, Microphone Destroyer, he transitioned to 100% solo production autonomy—writing, producing, recording, and engineering every track himself across Finding Inner Peace (2015), Hang On to Tomorrow (2016), Jo Miller Xposed 2 (2018), and The Land of Rock (2020), with only a single vocal collaboration (Élan Noelle on 2015's "What Else") after 2012.

In his current Mobile Cloud-DAW & "Five Version Rule" Era (2025–2026), Miller builds un-sampled, vocal-free hip-hop instrumentals using mobile and browser-based cloud digital audio workstations—specifically the Soundtrap app for Android, Soundtrap Studio (occasionally spelled "soundtrack studios" in his metadata), and BandLab ("banlap studios"), paired with cloud mastering services Remastered and AudioMaster. Beginning with his December 2025 single "The Destroyer", Miller also instituted "The Five Version Rule," committing to release every single and album in five simultaneous formats: (1) OG Explicit Version, (2) Clean Version, (3) Instrumental Version, (4) Acapella Version, and (5) Acapella Clean Version.

Labor Economics and Independent Business Model

A defining feature of Miller's career is its complete independence from traditional music industry capital. Because his micro-scale streaming footprint on Spotify (fluctuating between 5 and 13 monthly listeners) yields between $1 and $35 in quarterly streaming royalties, Miller operates a self-sustaining economic loop in which manual wage labor and federal disability benefits subsidize artist-owned intellectual property.

From January 12, 2006, to January 2010, Miller worked for four years as a courtesy clerk sorting bottle and can returns at the Seven Corners location of New Seasons Market in Southeast Portland. Following his departure from New Seasons, he worked a two-month stint stocking paper towels and toilet paper at Georgia-Pacific. In 2010, his federal disability assistance transitioned from Supplemental Security Income (SSI) to Social Security Disability Insurance (SSDI). To further supplement his SSDI income and finance studio hardware, distributor fees, and web hosting, Miller returned to part-time manual labor in 2022 as a back-of-house dishwasher at MOD Pizza, a role he continues to hold as of 2026.

Across his career, Miller has utilized a wide array of digital aggregators and licensing companies to place his catalog on global DSPs (including Apple Music/iTunes, Spotify, YouTube Music, VEVO, Amazon MP3, Deezer, iHeartRadio, JioSaavn, Audiomack, Rhapsody, Napster, and Yahoo Music), contracting with CD Baby, Rumblefish, MondoTunes, IODA (Independent Online Distribution Alliance), The Orchard Enterprises, Virgin Music Group, TuneCore, Octiive, and IIP-DDS. Through his self-owned imprints Miller Entertainment (2010–2012) and Microphone Destroyer (2013–present), he retains 100% ownership of his master recordings and publishing rights, frequently boasting in his lyrics that he collects at least 80% in net royalties ("royalties I get 80%", "I own my masters y'all getting played like a fiddle"). In his self-authored biographical texts and verses, Miller asserts that in late 2014 or early 2015 he turned down an unpublicized $300,000 recording contract offer from Universal Music Group (UMG) to prevent major-label executives from seizing his masters or forcing him to sanitize his autobiographical lyrics—though this reported offer remains uncorroborated by independent trade publications or label documentation.

On his direct-to-consumer storefronts (jomrapstarmusic.com, jomrapstar.bandcamp.com, and SoundClick), Miller maintains a standardized pricing architecture. Full-length digital albums are priced at $9.99 USD or more (pay-what-you-want above the $9.99 floor) on his official website and Bandcamp, while individual digital single/track downloads are priced at $0.50 USD per MP3 on SoundClick (ID 895612) and $0.99 USD or more on his official website and Bandcamp. Commercial instrumental beat licenses are offered at $50.00 USD per track via SoundClick Connect royalty-free licensing (bandID 1479514). He supplements these digital offerings with print-on-demand apparel hosted on jomrapstarmu[span_57](start_span)[span_57](end_span)[span_69](start_span)[span_69](end_span)sic.com/home, featuring 100% organic combed ring-spun cotton t-shirts (5.3 oz/yd²), 96% cotton / 4% elastane stretch tees (5.6 oz/yd², blank product sourced from Mexico), and 52% Airlume cotton / 48% polyester micro-rib fitted shirts (5.4 oz/yd², sourced from Nicaragua) across sizes up to 2XL and 3XL, priced between $17.90 and $26.39 USD.

Complete Discography and Catalog Analysis (2007–2026)

Over two decades of active distribution, Miller has released five full-length hip-hop studio albums, one acoustic folk album, one lo-fi garage rock album, and a sixth hip-hop studio album scheduled for December 20, 2026, totaling eight studio LPs comprising 107 to 110 album tracks (depending on storefront vs. DSP editions of My Journey Thru Life and The Land of Rock) across more than seven hours of recorded music.

Summary Matrix of Full-Length Studio Albums

The table below synthesizes all eight studio albums across Miller's hip-hop, acoustic folk, and garage rock monikers:

Detailed Album-by-Album Breakdown and Complete Tracklists

1. Jo Miller Xposed (2010)

Originally targeted for release on December 22, 2009, following his early T-Jo Demo on Amazon and Napster, Miller's debut studio album Jo Miller Xposed was released in late 2010 (cited as October 2010 and December 21, 2010) through Miller Entertainment and CD Baby, and later re-issued on March 27, 2012, via The Orchard Enterprises (including a physical US import CD under UPC 884501413992). Spanning 20 tracks over 75 minutes, the record established Miller's foundational blend of West Coast-inflected boom-bap, autobiographical vulnerability, and street-level defiance. Its lead single, "It's Gonna Be Alright" (produced by Al Frazer and dedicated "to all the women that's going through the struggle"), earned Miller a 2012 nomination at the e World Music Awards for its accompanying music video. While Miller produced 17 of the album's 20 instrumentals himself, he enlisted external beats from Al Frazer (Track 3), Marcus of beatsbymarcus.com (Track 15), and Swiss Boy (Track 19), alongside vocal features from Portland rappers Oxygen Elmo and Hi Mic.

The complete 20-track listing comprises: 1. "Intro" (0:40); 2. "How We Get Down" (3:03 — 5.1K VEVO views; 6.8K YouTube Music plays per version); 3. "It's Gonna Be Alright" (4:15 — beat by Al Frazer); 4. "Get Into Yo Mind" (3:57 — 3.6K VEVO views); 5. "The Rain" (4:27 — 74 YouTube views); 6. "Neva 4Get U" (5:16); 7. "The Body Shake" (3:18); 8. "I Gladly Except" (3:20); 9. "Haters" (3:12); 10. "Death To Chilmo (Pleasure P Diss)" (2:55 — targeting R&B singer Pleasure P amid contemporary tabloid allegations); 11. "Good Time" (4:10); 12. "Don't Bring Em Round Here" (4:18); 13. "Could Never" (4:45); 14. "All I Know" (3:41); 15. "That Way" (feat. Oxygen Elmo, 4:58 / 5:02 — beat by Marcus from beatsbymarcus.com); 16. "Jo Miller Xposed" (3:13); 17. "To Make Loot" (2:35); 18. "October 26, 2007" (2:39); 19. "Down Street" (feat. Hi Mic, 4:26 — beat by Swiss Boy); and 20. "Listen To Yo Heart" (3:21).

2. My Journey Thru Life (2011)

Released on December 6, 2011, via Miller Entertainment (and promoted in MuzicNotez Magazine in October/November 2011), Miller's sophomore LP deepened his confessional songwriting across 17 tracks running 68 minutes (16 tracks on his website storefront, where the closer "Still A Habit" is omitted from the player list, though present on Spotify, SoundClick, and YouTube Music). The album's lead single, "Ailianated" (also spelled "Ailienated"), became his most-streamed hip-hop track with 12,000 plays on YouTube Music, while the follow-up single "My Recumbent" (4,500 YouTube Music plays; 3,700 VEVO views) turned his reliance on a recumbent tricycle due to legal blindness into an underground Portland anthem. Crucially, the album contained Miller's most direct confrontations with his childhood trauma in Washington and Ohio: Track 6 ("Son Of A Pedafile", 667 plays) and Track 11 ("In My Childhood", 89 plays), both produced by his frequent collaborator Oxygen Elmo. Additional external beats were contributed by Chill (Track 5), Swiss Boy (Track 8), The One (Track 10), and Johnny Jam (Track 13).

The complete 17-track listing comprises: 1. "Intro" (0:52 / 0:53 — 76 plays); 2. "My Journey Thru Life" / "My Journey Through Life" (3:54 / 3:55 — 755 plays); 3. "Ailianated" (3:40 / 3:41 — 12,000 plays); 4. "My Recumbent" (5:04 / 5:05 — 4,500 plays; 3,700 VEVO views); 5. "Not Let Me Down" (feat. Miss Joyce, 4:41 / 4:42 — beat by Chill; 208 plays); 6. "Son Of A Pedafile" (4:14 / 4:15 — beat by Oxygen Elmo; 667 plays); 7. "Champion" (2:50 / 2:51 — 71 plays); 8. "Money Can't Buy" (5:05 / 5:07 — beat by Swiss Boy; 257 plays); 9. "Still Feel Alone" (3:48 — 105 plays); 10. "A Lady And A Gentleman" (feat. Shantae Sexy, 4:08 — beat by The One; 309 plays); 11. "In My Childhood" (4:41 / 4:44 — beat by Oxygen Elmo; 89 plays); 12. "I Do What I Want" (3:41 — 751 plays); 13. "Too Confident" (2:56 — beat by Johnny Jam; 1,300 plays); 14. "Don't Get Me Started" (feat. Oxygen Elmo, 5:12 / 5:13 — 149 plays); 15. "This Is My Life" (4:28 — released as a clean single in 2012; 2,700 YT Music plays; 2,000 VEVO views); 16. "Lonely Heart" (4:31 / 4:32 — 75 plays); and 17. "Still A Habit" (5:00 — 87 plays).

3. Autobiography of Joseph Keith Graham Miller (2012)

Issued on December 8, 2012 (with the single "To Be Remembered" following on December 25, 2012, and "I'm Shinin Bright" released as a single in 2013) via Miller Entertainment and distributed by Virgin Music Group, IODA, and CD Baby, Miller's third studio LP spans 18 tracks and 77 minutes. Framed as a summation of his first decade in music, the album was led by the single "Made Me Stronger" (2012) and featured guest verses from Oxygen Elmo (marking their third consecutive album collaboration on Track 6, "Aggression"), Cpt. Crunk, and Lord Ill, alongside a five-second comedic micro-interlude ("Paypal Or Direct Deposit"). External beatmakers on the project included Justin Appley (Tracks 1 and 6), Illeracy (Track 7), Megatron (Track 8), and Cpt. Crunk (Track 14). On AllMusic (mn0002746443), ingestion errors resulted in two persistent metadata anomalies for this era: the single "To Be Remembered" was indexed as "To Be Rembered" under the misspelled artist name "Jom Raptar", and Track 2 was cataloged as "Eignty-Million Demons".

The complete 18-track listing comprises: 1. "Autobiography Of Joseph Keith Graham Miller" (5:33 — beat by Justin Appley); 2. "Eighty-Million Demons" (4:08); 3. "Made Me Stronger" (5:08); 4. "Because I Know" (3:46); 5. "I'm Shinin Bright" (3:54); 6. "Aggression" (feat. Oxygen Elmo, 6:01 — beat by Justin Appley); 7. "To Be Remembered" (6:00 — beat by Illeracy); 8. "Last Words/ Peek Your Eyes" (feat. Cpt. Crunk, 2:58 — beat by Megatron); 9. "My Own Thing" (4:36); 10. "Where I Am Now" (3:20); 11. "A Real Gentleman" (3:29); 12. "The Best Man" (3:49); 13. "I Am A Galaxy" (4:53); 14. "U Got To Be Kidding Me" (4:20 — beat by Cpt. Crunk; Songlinks work code U1917N); 15. "Inner Soul" (4:27); 16. "Paypal Or Direct Deposit" (0:05); 17. "6 Million Ways" (feat. Lord Ill, 2:53); and 18. "What U Think About Me" (4:00).

4. Finding Inner Peace (2015)

Released on August 21, 2015, Finding Inner Peace was Miller's first hip-hop album issued under his new imprint Microphone Destroyer following his 2013–2014 MacBook Pro hard drive crash. Entirely self-produced by Miller, the 17-track, 85-minute record is the longest album in his catalog and is sequenced strictly in alphabetical order. Its centerpiece tracks include Track 8 ("Marajuana Chain Smoking", 7:43), an expansive autobiographical narrative detailing how he uses cannabis flower and concentrates ("earl" and dabs) while riding his Tour Easy recumbent trike to suppress panic attacks, seizures, and the trauma of being beaten with a fishing pole at age nine; Track 13 ("The Other Side", 6:44), an elegy honoring deceased loved ones (Veronica James, Virla Woods, Beverly Bussy, Uncle Jimmy, and his grandfather) alongside national civil rights figures Trayvon Martin, Troy Davis, and Mike Brown; and Track 16 ("What Else", 7:05), a collaboration with vocalist Élan Noelle that ranks #1 on Miller's Soundcharts top songs index. Track 7 ("Mango On A Tree", 5:32) was later re-released as a standalone single in 2024.

The complete 17-track alphabetical listing comprises: 1. "Earl Hit" (5:22); 2. "Finding Inner Peace" (5:39); 3. "Fishing For Women" (4:40); 4. "Get On The Dance Floor" (4:03); 5. "Jom Needs A Girlfriend" (4:17); 6. "Lite My Medication" (3:51); 7. "Mango On A Tree" (5:32); 8. "Marajuana Chain Smoking" (7:43); 9. "Reflection Of My Life" (5:21); 10. "Royal Blood" (4:16); 11. "Tell It Like It Is" (4:44); 12. "The Need To Be Loved" (4:36); 13. "The Other Side" (6:44); 14. "The Taurus And The Bull" (4:10); 15. "U Got A Problem With Who" (4:34); 16. "What Else" (feat. Élan Noelle, 7:05); and 17. "Yo Money Don't Define U" (3:14).

5. Jo Miller Xposed 2 (2018)

Released on January 13, 2018, via Microphone Destroyer (distributed through TuneCore, Octiive, and IIP-DDS, and re-uploaded to YouTube Music on September 27, 2025), Jo Miller Xposed 2 is a 15-track, 59-minute-46-second album recorded with 100% solo autonomy—featuring no outside beatmakers or guest vocalists. Preceded by the 2017 single "Don't Sleep on Me (Radio Edit)" (which ranks #4 on his Soundcharts top songs list) and accompanied by Jo Miller Xposed 2 (Radio Edit) (containing the 3:27 clean cut "I Don't Know (Radio Edit)"), the album is likewise sequenced alphabetically and reflects his post-2016 focus on self-reliance, cannabis concentrates, and personal survival.

The complete 15-track alphabetical listing comprises: 1. "Almost Famous" (3:44); 2. "Dirty Laundry" (3:23); 3. "Don't Sleep On Me" (3:57); 4. "I Don't Know" (3:26); 5. "Just Doing Me" (4:56); 6. "Keep It On The Hush" (4:39); 7. "Lights All On A Marajuana Tree" (4:48); 8. "Loud Music" (3:30); 9. "Marajuana Concentrates" (3:46); 10. "Negative Actions" (3:53); 11. "On Top" (4:08); 12. "Play How I Want" (4:31); 13. "Story Of My Life" (3:51); 14. "Trust Me" (3:41); and 15. "Write About It" (3:53).

6. Non-Hip-Hop Studio Albums (Hang On to Tomorrow & The Land of Rock)

Outside hip-hop, Miller has released two full-length guitar-and-vocal albums that strip away percussive rap cadences to foreground his singing voice and raw acoustic/electric guitar playing. He first debuted his acoustic singer-songwriter persona Joseph Miller ("simply Joseph Miller") on December 20, 2011, with the standalone single "I Wanna Be Your Light" (2:53). On April 21, 2016 (his 31st birthday), he released the five-track, 36-minute acoustic folk LP Hang On to Tomorrow, accompanied by the 2016 companion single "Heartbreak Lullaby" (4:05). Built around extended, meditative eight-minute acoustic guitar progressions, the five-track album comprises: 1. "Hang on to Tomorrow" (8:09); 2. "Engage in Battle" (8:23); 3. "Look Around You" (8:16); 4. "We're Breaking Out" (5:19); and 5. "All Here Together" (5:51).

Adopting his middle-initial legal variant Joseph K G Miller, he issued his first raw rock single "Drinkin' and Drivin'" (4:54) in 2017, followed by "Just Me Being Silly" (3:49) in 2019. On January 14–15, 2020, he released the full-length lo-fi garage rock and pop-rock LP The Land of Rock (comprising 7 core tracks and 9 archival tracks when bundled with the two preceding singles, running 45 minutes 58 seconds). Recorded solely with Miller singing over unvarnished acoustic and electric guitar arrangements, the album unexpectedly generated the largest algorithmic streaming spikes of his entire career on YouTube Music: 1. "The Land of Rock" (4:02 / 4:03 — 15,000 views on YouTube Music; 4 plays on Audiomack); 2. "Love Me, Love You" (6:11 / 6:12 — 7,100 views on YouTube Music; 4 plays on Audiomack); 3. "You're Adorable" (5:21 — 2,600 views on YouTube Music); 4. "Basket Case" (6:47 — 52 views); 5. "One Man Woman" (5:18 — 36 views); 6. "You'll Remember Me" (4:36 — 45 views); 7. "There's Always Somebody" (5:00 — 42 views); 8. "Drinkin' and Drivin'" (4:54 — 76 views); and 9. "Just Me Being Silly" (3:49).

7. Instrumental Beat Catalog (Jom Rapstar beats, 2025–2026) and Mixtape Placements

In September 2025, Miller launched Jom Rapstar beats on SoundClick (bandID 1479514) to license his cloud-produced, vocal-free, un-sampled hip-hop instrumentals to external recording artists and content creators at $50.00 USD per track under SoundClick's royalty-free Connect license. Across four uploaded instrumentals (logging 185 total streams as of November 2026), his debut beat peaked at #25 on the SoundClick Beats General chart in late 2025:

1. "Jom Beat 09272025 No. 1" (Sept 27, 2025): Produced at 90 BPM in 2/2 time signature and F major using the Soundtrap app for Android and mastered via Remastered; contains no external samples or vocals; charted at #25 on SoundClick Beats General ($50.00 license).
2. "Jom Beat 01232026" (Jan 23, 2026): Produced using Soundtrap Studio and mastered via Remastered ($50.00 license).
3. "Jom Beat 03112026" (Mar 11, 2026): Produced using Soundtrap Studio ("soundtrack studios") and mastered via AudioMaster ($50.00 license).
4. "Jom Beat 03142026" (Mar 14, 2026): Produced using BandLab Studios ("banlap studios") and mixed/mastered via AudioMaster ($50.00 license).

Earlier in his career (2010–2012), Miller also secured five placements on independent DJ mixtape compilations to expand his reach beyond Oregon: Coast 2 Coast Mixtapes: The Showcase Vol. 79 (mixed by DJ Smoke & Coast 2 Coast DJs), Coast 2 Coast Mixtapes: The Showcase Vol. 143 (hosted by Slip-N-Slide Records artist Duece D and mixed by DJ RPM), The Underground Fix Vol. 24 (via Coast 2 Coast Mixtapes), and Indie Top 50 Vol. 54 and Vol. 55 (both mixed by DJ Green and DJ Canyon Banyon).

Critical Analysis of Emperor Jom (Scheduled December 20, 2026)

Scheduled for release on December 20, 2026, via Microphone Destroyer, Emperor Jom (also referred to on his homepage as The Emperor Jom) represents Miller's sixth full-length hip-hop studio album (and eighth studio LP overall), ending a nearly nine-year hiatus between hip-hop albums following January 2018's Jo Miller Xposed 2.

Album Rollout and the JamSphere Chronology Correction

The album campaign commenced on December 22, 2025, with the release of the lead single "The Destroyer" (running 4:13 / 4:14) alongside "The Destroyer (Acapella)". On February 28, 2026, music critic Rick Jamm published a feature review in JamSphere Magazine titled "Jom Rapstar Unleashes Raw Bombastic Firepower on 'The Destroyer'". Jamm praised the track's "deliberate, slow-burning pace, layering overdriven, noisy textures over a steadily rolling drumbeat that feels like a march toward reckoning," noting that its supernatural demons function as psychological metaphors for "doubt, addiction, anger, fear, aggression" in the lineage of Eminem, Dr. Dre, D12, Xzibit, and 2Pac. However, Jamm's review concluded with a chronological error, stating that the single heralded an upcoming album titled Autobiography of Joseph Keith Graham Miller. On May 1, 2026 (at 00:14), Miller posted a public correction in the JamSphere comments section: "The Destroyer was actually supposed to be a standalone single and instead of off of a 14-year classic autobiography of Joseph Keith Graham Miller which has been released in 2012 in fact that this song is going to be on the emperor Jom projects coming in December and is now in the works".

Following that clarification, Miller released the album's second single in two stages: "Looking for Love (Instrumental)" was uploaded to YouTube on August 22, 2026, and distributed across global DSPs on October 14, 2026, paving the way for the vocal single "Looking for Love" in November 2026 ahead of the full album's December 20, 2026 drop.

Formal Prosody and the Three Thematic Poles of Emperor Jom

An examination of the complete Emperor Jom lyric manuscript (Emperor Jom Album.pdf) reveals a highly disciplined, invariant formal structure. The album consists of nine tracks, each composed of three verses framed by recurring choruses. Out of 27 verses across the album, 26 contain 16 printed lines/bars; only Verse 1 of Track 2 ("The Destroyer") is printed as 15 lines because its seventh line wraps two musical bars containing an internal rhyme ("You don't want the demon to Rome because he'll show up at your residence and detonate a / pipe bomb in your home and leave no evidence"), yielding 431 printed verse lines that correspond to 432 musical bars (27 sixteen-bar verses). Prosodically, Miller constructs his verses almost exclusively in end-stopped monorhyme quadruplets (AAAA BBBB CCCC DDDD) and couplets (AABB)—a technique he explicitly calls attention to in a meta-lyrical bar on Track 8: "I can use the same end rhymes multiple times with switch up the middle / I give it to you straight no Riddle".

Thematically, the nine tracks of Emperor Jom are organized into three distinct psychological poles:

Pole 1: Entrepreneurial Braggadocio, Scene Grievances, and Catalog Self-Canonization (Tracks 1, 5, 6, and 8)

Four tracks (comprising 12 verses / 192 bars) establish Miller's claim to underground sovereignty as a self-funded independent artist. Track 1 ("Emperor Jom" ) opens with an eight-line chorus comparing his financial persistence to amazon.com ("here comes the emperor Jom... we stay getting our money / just like amazon.com") and re-introduces his aliases "the Joe Flow" and "the return of the Taurus and the Bull". In Verse 1, Miller airs a direct local grievance against Portland producer DJ Wardove—with whom he had shared a live bill at a Portland hip-hop showcase on October 9, 2012—accusing him of disrupting his personal stability. Verse 3 delivers a compact synthesis of his neurodivergence, physical survival, and royalty structure: "I'm an entrepreneur with autism / abused but I don't play the victim / I've survived being hit by a car / recovered in two days to spit these bars... royalties I get 80%".

Track 5 ([Untitled / "Lyrical Firepower"] ), built around the doubled four-line hook "I've got lyrical firepower / I spit flames by the hour", asserts royal lineage ("it's the descendant of William the conqueror", echoing his 2015 track "Royal Blood"), situates the LP in his hip-hop discography ("I've got five albums This is album number six"), and salutes the late Brooklyn underground icon Sean Price ("I give an RIP shout out to Sean Price"). Verse 3 exemplifies Miller's signature juxtaposition of ferocious battle-rap tropes with disarmingly wholesome domestic details from his life in Portland: "I ride an electric bike / those I don't like get a spike / I'm a T-Rex y'all some bugs / I drink juice out of a jug / I cause a shift in the hip hop landscape / I make a smoothie out of blueberries and grapes". Track 6 ([Untitled / "The Jom Rapstar Playbook"] ) dates his professional recording debut to Jo Miller Xposed ("I've been a pro since 2010"), defines his albums as "communal catharsis", declares "I am a one-man record company", and contrasts his solo Portland operation with Eminem's Detroit collective D12. Rounding out this pole, Track 8 ([Untitled / "I'm the Realest"] ) functions as a career retrospective reiterating his 80%+ royalty retention, master ownership, and refusal to sign a major-label contract ("I own my masters y'all getting played like a fiddle / I have never signed a major deal and I never will / like Ace Hood I put my life in every song I kill"), while paying tribute to his 2010–2012 Portland collaborators Oxygen Elmo and Lord Ill ("I've worked with oxygen Elmo and Lord ill").

Pole 2: Horrorcore Dissociation and "The Destroyer" Alter-Ego (Track 2)

Track 2 ("The Destroyer" ) stands apart from the rest of the album, opening with the command "Destroyer rampage come on" and unfolding as a third-person supernatural horrorcore narrative. Speaking as a non-human demonic entity sent from hell to claim mortals who sold their souls to Satan, the narrator possesses light poles and power lines, morphs into a pipe bomb built by "the neighborhood chop" to detonate inside a police station, transforms into "alpha Destroyer" when handcuffed in the back of a patrol car, and possesses a jail guard's grandmother. Crucially, Miller constructs an explicit psychological and moral firewall inside the lyrics to separate his human identity from the violent fantasy: Verse 1 insists, "And don't blame Joseph Miller for this he's not even dastard", the chorus declares, "I am not Jom Rapstar, I am the destroyer", and Verse 3 places the demon under ultimate theological authority ("The only power they can forever lock this demon is the power of God"). As Rick Jamm noted in JamSphere, the persona functions as a dissociative safety valve that externalizes psychiatric torment and rage so that "Joseph Miller The Man" remains separated from destructive impulses.

Pole 3: Trauma Confessionalism, Romantic Longing, and Psychiatric Crisis (Tracks 3, 4, 7, and 9)

The remaining four tracks (12 verses / 192 bars) strip away all braggadocio to confront physical and psychological scars, romantic loneliness, and schizophrenia. Framed by a seven-line chorus ("I've got scars on my body / And scars on my soul / I've had my autonomy stolen / Enemies took control / I've been bounced around in my youth and it's taking its toll"), Track 3 ([Untitled / "Scars on My Body"] ) connects his forehead scar from Great-Granny Virla's German Shepherd ("Prince"), surviving being hit by a car twice, C-PTSD, and childhood victimization in Verse 1. Verse 2 mourns the deaths of Aunt Beverly (aneurysm) and Veronica (killed) before pivoting across Verses 2 and 3 to address his 2016 Class B misdemeanor conviction and 18 months of probation for hurting a cat during a psychotic episode, affirming the judge's mandate to be kind to all humans and animals while riding his bike and calming down with marijuana via a bong or short pipe.

Companion songs Track 4 ("Looking for Love" ) and Track 7 ([Untitled / "Trying to Find the Right One"] ) articulate the acute romantic isolation of an autistic, schizophrenic adult searching for emotional safety and affectionate companionship. Across both tracks, Miller repeatedly emphasizes his need for emotional security and physical holding ("I'm looking for someone to have a cuddle", "I like hugs that are long hold", "physical affection is what I desire"), asking for a partner who values "Joseph Miller The Man" rather than superficial clout or net worth. He candidly acknowledges how his psychiatric episodes alienate potential partners ("my psychosis has got me in trouble / it almost landed me in jail / but I was booked and released without bail") and weaves in self-referential nods to his own catalog: "Inner peace ain't nothing just a fourth LP" (referencing 2015's Finding Inner Peace) and "This isn't a part 2 of I'm shining bright" (referencing his 2013 single).

Serving as the closing statement of Emperor Jom, Track 9 ([Untitled / "Voices in My Head"] ) is anchored by the haunting refrain "voices in my head they won't shut up / these voices these voices I can just hear them talking / I wish they'd just shut up and get to walking". The verses unflinchingly document the daily exhaustion of command auditory hallucinations telling him to commit destructive acts and call people names, his past crisis behaviors triggered by feeling ignored (including threatening to kidnap a child and harming the cat), being handcuffed, jailed, and taken to a medical hospital rather than a psych ward, watching fake friends abandon him, and wetting the bed until age 14. Rather than ending in despair, Miller closes the album with hard-won clinical self-awareness and accountability: "wasted energy from psychosis is why I feel drained / but I'm glad I'm not completely deranged / realizing my own mistakes is the only way for me to change".

Regional Performance Circuit vs. Digital Platform Footprint

A defining paradox of Miller's 25-year career is the stark asymmetry between his high-frequency physical presence in Portland's underground bar and club circuit during the 2007–2015 era and his fragmented, micro-scale footprint on global streaming platforms.

Live Performance History in the Pacific Northwest (2007–2015)

Between October 2007 and March 2015, Miller completed more than 175 live performances across Portland and neighboring Hillsboro, Oregon, typically performing to room audiences of 5 to 40+ patrons per set. His live debut under the moniker Jom Rapstar took place on October 7, 2007, at The Wonder Ballroom in Northeast Portland during a local music festival, where he was backed onstage by performers Tom "T-Mo" Moore and Andrew "AC" Carryon. The following summer, he played two booked showcases for Bigtime Entertainment at Portland's historic punk and underground venue Satyricon: the first on July 24, 2008 (where he connected with local artists Buddy Highway / Big D and Hazard 503 of the group Hazardous Ways) and the second on September 7, 2008 (where he met local artist Justud).

On October 9, 2012, Miller performed a 21+ Portland hip-hop showcase documented by regional concert calendar PC-PDX, sharing the bill with Portland hip-hop artists Oxygen Elmo, DJ Wardove, and Notorious Ben. Third-party concert tracking database Soundcharts also independently verifies three headlining or supporting club dates at Hawthorne Theatre in Southeast Portland on January 26, 2014, October 19, 2014, and March 29, 2015. Across his broader regional gigging history, Miller played booked sets at Mt. Tabor Theater, The Backspace, Liberty Hall, Jade Lounge, Watershed PDX, Rock Around the Clock, Firkin Tavern (where he staged his "Microphone Destroyer Showcase"), BC's Bar & Grill, Proper Eats Cafe, and Influence Music Hall in Hillsboro, Oregon. Simultaneously, according to his self-reported performance logs, he treated Portland's neighborhood open-mic circuit as an intensive rehearsal gymnasium—logging 100+ open-mic sets (plus one booked gig) at Ladd's Inn, 40+ open-mic sets (plus one booked gig) at Pub at the End of the Universe, 30+ open-mic sets at Hawthorne Theatre Lounge, 5+ appearances at Airplay Cafe, and 3 appearances at Alberta Street Pub.

Digital Platform Analytics and Algorithmic Distribution (As of November 2026)

In contrast to his physical stage volume in Portland, Miller's digital presence across streaming services is fragmented across multiple artist profiles and exhibits a classic "long-tail" distribution punctuated by isolated algorithmic spikes on YouTube Music and VEVO:

Taken as a whole, Joseph Keith Grahame Miller's 25-year catalog stands as a remarkably resilient document of Pacific Northwest outsider artistry. By subsidizing his recording career through dishwashing wages, bottle-return shifts, and disability benefits while refusing to cede control of his master recordings, Miller has transformed hip-hop, folk, and garage rock into a permanent, self-owned archive of survival—honoring his own declaration that "if it wasn't for music I wouldn't have a voice".

Works cited

1. Jom Rapstar | Independent Music Magazine | Social Music Marketing, https://dev.muzicnotez.com/magazine/2011/10/jom-rapstar/ 2. Story | Jom Rapstar, https://jomrapstarmusic.com/story 3. Joseph Miller's Page - Indie Music Channel, https://www.indiemusicchannel.com/profile/JomRapstar 4. Jom Rapstar, https://jomrapstarmusic.com/home 5. Jom Rapstar — Biography, Discography, Albums & Expert Reviews, https://www.allmusic.com/artist/jom-rapstar-mn0002746443 6. Jom Rapstar - Apple Music, https://music.apple.com/ng/artist/jom-rapstar/1819004265 7. Listen to Jom Rapstar Songs | Spotify, https://open.spotify.com/artist/042pzztULfNUH2KuNEvwH6 8. Jom Rapstar — 13 monthly listeners · Stats & charts, https://soundcharts.com/en/artist/11e83feb-94e9-6598-9afb-aa1c026db3d8 9. Jom Rapstar – Beats from $50 | 4 Instrumentals - SoundClick, https://www.soundclick.com/artist/external/standalone.cfm?bandID=1479514&instructions=50&showHeader&scaleMobile=0.8&frameReset=2F6172746973742F65787465726E616C2F7374616E64616C6F6E652E63666D3F62616E6449443D3134373935313426696E737472756374696F6E733D35302673686F77486561646572267363616C654D6F62696C653D302E38&tagids=321307 10. Jom Rapstar | Free Music Streaming - SoundClick, https://www.soundclick.com/JomRapstar 11. Portland Show-Guide | Mobile - PC-PDX.com, https://mobile.pc-pdx.com/?date=10/9/2012 12. Jom Rapstar Unleashes Raw Bombastic Firepower on “The Destroyer”, https://jamsphere.com/newreleases/jom-rapstar-unleashes-raw-bombastic-firepower-on-the-destroyer 13. The Other Side by Jom Rapstar, https://jomrapstarmusic.com/track/2825076/the-other-side 14. Marajuana Chain Smoking by Jom Rapstar, https://jomrapstarmusic.com/track/2825071/marajuana-chain-smoking 15. That Way featuring Oxygen Elmo by Jom Rapstar, https://jomrapstarmusic.com/track/2584137/that-way-featuring-oxygen-elmo 16. Joseph Keith Graham Miller - JioSaavn - Listen to New & Old Indian, https://www.jiosaavn.com/artist/joseph-keith-graham-miller-songs/WXp5Mfobn6I_ 17. It's Gonna Be Alright by Jom Rapstar, https://jomrapstarmusic.com/track/2583711/it-s-gonna-be-alright 18. Down Street featuring Hi Mic by Jom Rapstar, https://jomrapstarmusic.com/track/2584457/down-street-featuring-hi-mic 19. Jo Miller Xposed» — Jom Rapstar - Альбом - Apple Music, https://music.apple.com/us/album/jo-miller-xposed/403678680?l=ru 20. My Journey Thru Life - YouTube Music, https://music.youtube.com/browse/MPREb_AX84LypEtQQ 21. Money Can't Buy by Jom Rapstar, https://jomrapstarmusic.com/track/2655987/money-can-t-buy 22. Last Words/ Peek Your Eyes by Jom Rapstar / f Cpt. Crunk, https://jomrapstarmusic.com/track/2657401/last-words-peek-your-eyes 23. U Got To Be Kidding Me by Jom Rapstar, https://jomrapstarmusic.com/track/2657436/u-got-to-be-kidding-me 24. Aggression by Jom Rapstar / f. Oxygen Elmo, https://jomrapstarmusic.com/track/2657384/aggression 25. Autobiography Of Joseph Keith Graham Miller by Jom Rapstar, https://jomrapstarmusic.com/track/2656291/autobiography-of-joseph-keith-graham-miller 26. Music | Jom Rapstar, https://jomrapstarmusic.com/music 27. Try MuzicNotez PRO For Free - Independent Music Promotion, https://dev.muzicnotez.com/pro/